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P O L Y R H Y T H M I C
C A L L I G R A P H Y Expanding rhythms of writing A two day workshop with Denis Brown
Level: intermediate to advanced
This workshop will help you develop more complex rhythms than possible with even-spaced traditional lettering. The pattern of equidistant parallel lines, for example, (sometimes called the "picket fence") that underpins the rhythm of formal italic is very useful and important to learn, however writing incorporating more complex polyrhythms will require a subversion of this learning. Historical western calligraphy does not generally exhibit polyrhythmical qualities, and therefore offers little insight in this respect, although cursive script from arabic and oriental traditions offers a wealth of possibilities.
Above: Live workshop demonstration 2008: "Automatic Writing", very fast energetic strokes, no retouching Denis will also suggest influences from other sources: The compressions and rarefactions of any waveform undulate in a natural way that may point to an organic and polyrhythmic feeling for space within writing, that can variously open and contract. Music will also be a reference, where polyrhythms, syncopation, and counter melodies will each be analysed and appropriated into calligraphic composition and performance.
STUDENT SUPPLIES: Square edged dip-pens, and particularly a Brause 4mm nib, plus a range of any other writing tools (brushes, ruling pens, "cola" pens, droppers, etc); ink; ruler; pencils; pad of practice paper A3 size /11"x l7" or larger; a couple of large sheets of better quality paper; gouache colours; palettes; mixing and loading brushes.
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