Foundations in Traditional Calligraphy
Workshops with Denis Brown for all levels of calligrapher

Good instructors are rare, thus it is also rare that students acquire a good understanding of basics before progressing to more advanced themes. But poor foundations inevitably undermine all subsequent work. Thus even advanced students may benefit from a reappraisal of the basics from a good teacher. The following workshops go back to basics, to enlighten you to subtleties, and firm up the foundations for whatever type of calligraphy you wish to pursue.

Roman Capitals
2 to 3 days. Max. 20 students. Level: Any (specify average level on booking)

Imperial and majestic ancient inscriptions form the basis of our modern letters. A close look at the proportions and spacing in the practice of a basic pen made capital will lead to some experiments with form, weight and texture.

Foundational Hand
2 or 3 days. Max. 20 students. Level: Any (specify average level on booking)

This is the script which has served as the basis of calligraphic education in the British tradition. Adapted from 10th century Winchester scripts by Edward Johnston in the first quarter of this century it still provides an excellent basis for contemporary formal use. The term foundational underpins the fact that once a student has a proper understanding of it, further development will have a firm basis.
We will look back at the historic origins as well as modern variations in this practical study. Participants will be shown how Foundational is more than a style, but is a set of principles with room for personal adaptation.

Italic
2 or 3 days. Max. 20 students. Level: Any (specify average level on booking)

An analysis of italic rhythm in a form with rounded symmetric arches. The study will begin with the structural rhythm as an abstract pattern, and letters will then be strategically incorporated.

Italic Variations
5 days. Max. 20 students. Level: Any (specify average level on booking)

Italic is not one script, but a whole family of possibilities. We will explore a range of forms, with analysis of structural rhythm, from formal rounded italic, through asymmetric & more cursive forms, and also including pointed and gothicized italics. Encountering the same basic principles of italic in a number of different forms, participants will heighten their awareness of italic. This is the first step to developing a personal approach, as distinct from merely copying a style.

Tools and Materials for all workshops above:
Square edged dip-pens- (particularly Brause brand size 3mm & 4mm in addition to students preferred brand); ink; ruler; pencils; eraser; water jar; pad of practice paper A3 size /11"x 17" or larger; a large sheet of better quality paper; gouache colors; palettes; mixing and loading brushes.

HOW TO GO ABOUT BOOKING A WORKSHOP