Level: Any
Unfortunately, good instructors are rare, so it is also rare that students acquire adequate understanding of the basics before rushing on to more advanced themes. But no matter how fancy the styles, poor foundations inevitably undermine all subsequent work! Thus even advanced students are recommended to have a reappraisal of the basics from a good teacher.
Denis Brown has an acute understanding of traditional forms and is widely credited as one who can precisely and clearly explain these principles in teaching. The following workshops will go back to basics, to enlighten you to subtleties, and firm up the foundations for whatever type of calligraphy you wish to pursue.
R O M A N C A P I T A L S
2 or 3 days. Max. 20 students. Level: Any (specify average level on booking)
Imperial and majestic ancient inscriptions form the basis of our modern letters. A close look at the proportions and spacing in the practice of a basic pen made capital will lead to some experiments with form, weight and texture.
F O U N D A T I O N A L H A N D
2 or 3 days. Max. 20 students. Level: Any (specify average level on booking)
This is the script which has served as the fundamental basis of calligraphic education in the British tradition. Adapted from 10th century Winchester scripts by Edward Johnston in the first quarter of this century it still provides an excellent basis for contemporary formal use. The term foundational underpins the fact that once a student has a proper understanding of it, further development will have a firm basis.
We will look back at the historic origins as well as modern variations in this practical study. Participants will be shown how Foundational is more than a style, but is a set of principles with room for personal adaptation.
B A S I C I T A L I C
2 or 3 days. Max. 20 students. Level: Any (specify average level on booking)
An analysis of italic rhythm in a basic form with rounded symmetric arches. The study will begin with the structural rhythm as an abstract pattern, and letters will then be strategically incorporated. Basic layout of a short quotation will also be included.
I T A L I C V A R I A T I O N S
Italic is not one script, but a whole family of possibilities. We will explore a range of forms, with acute analysis of structural rhythm, from formal rounded italic, through asymmetric & more cursive forms, and also including pointed and gothicized italics. Encountering the same basic principles of italic in a number of different forms, participants will heighten their awareness of its essential nature. This is the first step to developing a personal approach, as distinct from merely copying a style.
Tools and Materials for all workshops above:
Broad edged calligraphy dip-pens: specifically Brause size 3mm and 4mm nibs required; Pen-holder with round barrel that is comfortable to roll in the fingers; Ink; Black gouache paint, (Instructor likes Winsor & Newton ivory black, but you may use your preferred brand); Palette; Round bristle paintbrushes sizes 6 & 8 for mixing paint & loading pens; water jar; pencils; 16" ruler; layout pad or practice paper 11"x17" or larger; a sheet or two of quality paper, e.g. Arches Text Wove or BFK Rives; finely powdered pumice and gum sandarac*; a cheap half inch bristle decorators paintbrush exclusively for applying pumice and sandarac.
*Note; even if you buy sandarac ready ground to a powder, chances are that you'll need to grind it finer again; so bring a ceramic or stone mortar & pestle if you can also.
